Thursday, 18 March 2010

Brief Encounter


I have wanted to watch this classic for many years. The cover of the film encapsulates a lot about the film. It illustrates what to expect, the fact that it will have such beautiful and realistic dialogue (both for that period of time and arguably our own). Other films such as "The station agent" do a great job in proving you can judge a film by its cover and this was no exception.

We have all had either a romantic encounter or an affair of some sort. Some may not have enjoyed the excitement of such an affair, of those that say this, at least 50% of you are LYING!!! This film is structured flawlessly, from start to finish it manages to tell a story. It tells a story which is honest, brave, fair and remarkably poignant.

What I loved most about this film was the actress Celia Johnson. She is a very beautiful actress in a very safe and friendly way. By this I mean she isn't strikingly stunning or anything, she is a fairly normal looking woman, particularly for her time. But at certain moments in the film when she smiles, she has a really genuine beauty. It's attainable and very glamorous at the same time. When Alec Harvey teases her in the restaurant about killing a few patients in the morning, her face lights up with surprise which melts slowly into one of the most genuine smiles I have ever seen. It is precisely within its ability to make the deceit of an affair seem so honest, simple and unapologetic that the genius of this film lies.

The way Laura deals with the guilt of the affair is very true to life. In my own experience, women try to be the more practical of the two genders but ultimately fail to overcome the feeling of being alive and all the drama that comes hand-in-hand with such an affair.

The film tells the story in such an intelligent way that we can all relate it to our own experiences and, I would imagine, no matter what your position, you can't help but empathise with these characters. Without films as brilliant as this we would probably never have seen "Before sunrise & Before Sunset" and other romantic films that really grab your empathy for the characters and their situation. The film is so simple and yet so complicated. The locations used are both mundane and yet so exciting. The scene on the train after their final encounter is so similar to the scene at the end of Before Sunrise. When Julie Delpy and Ethan Hawke sit on different trains playing the days events over in their head, we see a very similar look from Laura as she makes a very poignant summary of love by saying internally "Nothing lasts, neither happiness nor despair" This is one of Love's greatest revelations, it's what helps and hurts us inevitably in both the short and long term.

A fantastic love story that doesn't apologise for its honesty, but also doesn't fail at conveying its guilt and shame. A perfect depiction of the universal love affair within us all. Don't pass judgment, it could happen to you. I think this film just about makes my top ten based on its simplistic brilliance.

Saturday, 13 March 2010

My mother said I never should - Directed by my wonderful housemates

Last night I went along to Theatre 48 in Horsham to show my support to my housemates, who have directed a wonderful play about 4 generations of women. The last time I saw a play was last summer, when I went with Anthony Peake to see Time and the Conways, which also followers the generations of a family over the decades, exploring the change of dynamic between parents, children and siblings. Time and the Conways is more of a social commentary on the nature of time and life but the two plays do share a lot of similar themes.

I was absolutely blown away by the performance of Doris Partington (Great granny). The director told me her age and I have to say I have nothing but respect and admiration for the way this woman was able to move around the stage and give such a performance for two hours and change. She has that generic "nan voice" that we can all relate to. That sympathetic yet boarder line condescending "That's nice dear" nan-type response to anything you say! She commands respect not through bold, strong, loud gestures, but by being so sure of herself that others know she is a fountain of knowledge and experience. That really, is where the strength of this play lies; being able to show some general family memories and moments, in which anybody can relate to their own specific memories.

The young girl that plays the role of Rosie is fabulous. So energetic and live, exactly what is needed from the character. I would agree that she seems the most well-rounded in perspective of all the characters which, in a way, is the main goal for this chain of women.

Jackie's role is a challenging one, she conveys the sympathetic understanding of a battered daughter with great ease. Some of the earlier scenes showed off he ability to do a fabulous impression of the little girl played by Morwenna Banks from Absolutely. Even if it wasn't intentional, that's what it made me think of!

Margaret Bradley has a difficult role to pull of in that she had to convey her frustration through some rather cold-hearted and brutal moments with her daughter Jackie. It would be very easy to dismiss the circumstances brought to life by the play and hate her, but she manages to convey her own frustration at the choices offered to women in her own time and the harrowing fear that her daughter would take the same route.

I rather enjoyed the scene where Jackie and Doris are sharing a game of solitaire. My own mother used to play this game and taught me to play also. I almost bought her a set for Christmas this year but she lives in Spain and decided to wait until May when I see her again.

This made me reflect on my own memories of visiting my grandmother but from the perspective of my mother and what It must have been like for her. It's a very nice play that stays true to real life and the many layers of beauty that lie within the family dynamic. I must give a genuinely massive round of applause to both the cast as well as Lee & Toyah who have worked so hard on this. Well done, a fantastic performance was given by all.

Friday, 5 March 2010

Everybody's Fine


Family is important. So people keep telling me. I don't have a particularly close family and I'm OK with that. I function perfectly well as a human being. I think. I will say though, this is the first film to really make me actually stop and think about this, properly. Father-Son scenes always seem to get me a little. It's disgraceful and I'm completely ashamed of myself, but I got very teary eyed during "The pursuit of happiness" Damn you Will Smith. Damn your quivering lips and puppy-dog eyes.

This film didn't have quite the same effect on my eyes but as I said, It did make me stop and think. My own mother lives in Spain and we rarely see her. My little sister hasn't spoken to her in about 8 years and I know she will regret this one day, such Is life.

The reason this film works is because De Niro is able to evoke real empathy for his character. Essentially, the role he's playing is one of a father who has pushed his children too far in life. Over the years of cinema this has often been a rather hated father figure type. But because we see it through the eyes of such an amazing actor, we understand he had the best of intentions. It is, at times, a rather sad and depressing film, but as an entire film it is actually quite inspiring for families that aren't close to realise how lucky they are.

It has similarities, in places, to the film "Flowers" with Bill Murray. A road trip with a goal will undoubtedly result in lessons being learned along the way. Although the ending of the film seems like a rather obvious place to finish, it also has the appeal of a new beginning.